![]() In “Hunger,” she singles out the twisted way the culture frames obesity. It is a deeply honest witness, often heartbreaking and always breathtaking.Īs a cultural critic, Gay is a master of the call-out, mincing no words when taking on misogyny or racism. In a collection of staccato chapters, she shares how she forged the shield. ![]() Pound by pound, she built a soft, thick mass of armor to protect the sweet bits of her soul that were left. For nearly 30 years, Gay used food to cope with an act of violence done to her before she was out of puberty, before her body had a chance to blossom gently and unbruised.Īs she writes in “Hunger,” turning her 6-foot, 3-inch frame into a fortress by “eating and eating and eating,” was a response to the gang rape. To that cluster she added cherry tomatoes, basil, scallions, olive oil: a bowl full of summer.Īt the time, Gay was writing her new book, “Hunger: A Memoir of (My) Body.” The “zoodles,” their creation and consumption, were part of her determined effort at self-care. It was a swirling green and white nest of health, curled by the blades of her trendy new kitchen tool. A couple of years ago, during the height of the Spiralizer gadget craze, Roxane Gay posted a picture on Tumblr of a cyclone of zucchini strips she’d just rendered.
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